The wall is photographed in the same area of the kampung/slum I described yesterday, the two portraits on the other hand are made a mere hundred meters further. On this side of the railway tracks the kampung is older and cleaner.
I explain the meaning of Amor Fati here (English and Indonesian catalog text). And here (English) and here (Indonesian catalog text) for a more recent and longer essay. And for a further selection of my writings see here.