Showing posts with label Deden. Show all posts
Showing posts with label Deden. Show all posts

Sunday, July 20, 2014

e-catalog Amorphous Amours

The e-catalog of Deden Durahman's solo exhibition Amorphous Amours at RKFA can be downloaded here.

Deden Durahman's solo exhibition Amorphous Amours


Amorphous Amours

Deden Hendan Durahman


The body is to be compared,
not to a physical object,
but rather to a work of art.
Maurice Merleau-Ponty
The Phenomenology of Perception


For his solo exhibition at RKFA, Singapore, 17 July – 17 August 2014, Deden Hendan Durahman (Majalaya, Indonesia, 1974) presents his new series Amorphous Amours (2014): multi-layered choreographies of serial de/re-constructed and morphed bodies. Reconstruction on the level of the pixel opens up the possible of the possible; therefore, there is an element of contingency of what actual forms a concept takes – a pixilated flux of becoming. The element of contingency of a pixilated flux of becoming necessitates seriality. If actualizations of disparate fragments is not to unravel in such a way that all that remains are fractures of the possible then working in series is needed. A series offers a sense of unity – and meaning – to fragments. The method of working in/on serial de/re-constructed bodies also implies repetition. And repetition is key in performativity: body is an unstable category – body as medium and concept in the work of Deden – over time, gestural permutations allow for changes to occur. The mediated bodies in Deden’s work are indexes of performativity. Our bodies are the primary sites of the expanded field of knowing and remembering – or: ontology of the flesh. Memory leaves imprints in and on our bodies. One body remembers and reminds another; memory moves from body to body, re-touching us sensually, re-touching the unfathomable geography of our bodies – to paraphrase Walt Whitman: For every pixel belonging to me as good belongs to you…

Roy Voragen
Curator

Saturday, June 7, 2014

Amorphous Amours


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Amorphous Amours
A solo exhibition by Deden HendanDurahman at RKFA, Singapore
Curated by Roy Voragen 
Opening: 17 July 2014
Until: 7 August 2014

Artspace@Helutrans
39 Keppel Road
#01-05 Tanjong Pagar Distripark
Singapore 089065
E info@rkfineart.com
T +65 6221 1209
F +65 6221 1249

For the catalog see here.

Monday, July 29, 2013

New Media Art in Southeast Asia: a review of a seminar at ITB

For my review see here:
Roy Voragen, "New Media Art in Southeast Asia," in Tempo Magazine, July 14, 2013, pp52-53.

change in 7 days


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change in 7 days

Adhya Ranadireksa
Deden Hendan Durahman
Henrycus Napitsunargo
Sari Asih

SB2013: if the world changed… – National Library of Singapore

“you have to be knowingly unsure,
to seek certitude within the uncertain
and not pursue the uncertain with false certitude.”
Ho Rui An, Several Islands

Give us a photograph, or two, or four, seven is good too – and we depict tales of a city, a city with her bricks and whispers, her raindrops and candies, her meandering river and sailors, her brush strokes, her cacophonous soundtrack, her unsung love affairs, her coffee and cigarettes at the crack of dawn, her green papayas and its odor, her hopes and ghosts, gentle and wicked…

A city we remember. Cities are not merely backdrops to the stories we tell each other over and over again, cities are the fiber that give these stories the much needed bones – and a pulsation, too. A jazzy pulse, or one of gamelan, or heavy metal, or tango, or hybrids – so many cities, so many rhythms.

 To remember is not the same as to commemorate – archives of the city are amnesiac zombie entities of our memory. Graveyards are the sites where memories as we knew them come to an end. Numbered, catalogued, put in neat folders and cabinets in underground basements, our memories are stored to collect dust and fungus. A memory with a pulse is a mobile memory, told or shown to others – countless times given manifold shapes and forms.

With your help, we want to wake up the archives of the city, the city of Singapore. The archive, then, will be turned into a library of visual memory of an ever-changing city, rapid but meandering changes. We want to collect and show the good, the bad & the ugly, the delicious and wreckage, the uncanny and repressed, happiness and joy of you, you and you too, and us as well.

Archival materials are re-animated, opened-up partially, given a second life in our library change in 7 days at the National Library of Singapore during SB2013 (and perhaps long after there or elsewhere when we are no longer present). Visual materials are retrieved from the city’s multiple archives to give you a chance to connect and re-connect, browse through, borrow memories, point out to one and another stories thought long lost and recount them anew.

We also invite you to submit images of you and your city. Wedding photos, graduation party photos, photos of you with your family or friends and etcetera… And we hope that your personal photos will be the many jigsaw pieces of a gigantic puzzle that shows a biography of your city of Singapore, a city, like any other city, with its great many stories and ambiguities. The gamut of these memoirs cannot be overseen in a single breath.

Moreover, we – Adhya Ranadireksa, Deden Hendan Durahman, Henrycus Napitsunargo and Sari Asih, all of us are from Bandung, Indonesia – respond in individual, artistic ways to a selection we each make of the visual materials salvaged from the archives and the images you kindly submitted. In so doing, we weave our threads into this city, your city as our temporary base, a brief home from which we return with memories, our memento mori on our homecoming to Bandung, a city with a different beat.

Cities, certainly, are only built metaphorically in 7 days. However, 7 days is ample time to spectacularly wipe out an entire metropolis with its sinners, specters and samurais of the face of the earth. 7 days is also plentiful of time to alter our imagined city. Images can move us – move us to built a city, multiple cities out of our memory to remember, to be committed to, jointly…


(I was asked by the four artists to ghostwrite the above text for their project at SB2013.)

Saturday, June 1, 2013

Kristoffer Ardeña - Roma Arts artist-in-residency - Documentation




Bandung, Indonesia, 9 – 23 May 2013

Kristoffer Ardeña

Roma Arts artist-in-residency
In collaboration with Selasar Sunaryo Art Space, Irfan Hendrian Studio, Oma Anna Handwork, and Visual Arts Study Program at the Faculty of Fine Arts and Design, ITB

Documentation can be downloaded here (Issuu) and here (Box).

Above photo was taken by Deden Hendan Durahman during Kristoffer Ardeña's talk at ITB.