Roy Voragen, “Threshold
explores the mysteries of boundaries, review of Takashi Kuribayashi’s
exhibition Threshold at Selasar
Sunaryo Art Space,” The Jakarta Globe, August
14, 2013, 27; see here
Roy Voragen, “Art Histories: The Aporias of Modernization in Southeast Asia,”
Tempo Magazine, 9 December 2012,
76-7. This essay is a review of ‘The Gathering of Histories’: An International
Seminar on Art History and Visual Culture in Southeast Asia, at ITB’s art
school, Bandung, 12 November 2012
I explain the meaning of Amor Fati here (English and Indonesian catalog text). And here (English) and here (Indonesian catalog text) for a more recent and longer essay. And for a further selection of my writings see here.