Wednesday, October 11, 2017

Primal #m74207281 - Xerox Book - Volume I

Primal #m74207281

Xerox Book
Volume I
Page 1-251
Edition of 5
(exhibition copy 1, ap 1)
(ongoing, long-durational poem)

Published by P and not P

A preview of page 1-97 was published by SOd Press
A further preview of page 98-108 will be published by Cordite


Photos by Deden Durahman

Saturday, September 9, 2017

coming sometime soon-ish

At the request of KL-based artist Gan Siong King, I wrote an essay titled 

coming sometime soon-ish: until further notice untitled unnoticed noteworthy
See here for a PDF.

Sunday, August 6, 2017

curator-in-residence at 1335MABINI

Between July 26 and August 22, 2017, I am curator-in-residence at 1335MABINI in Manila. During my residency I conduct two workshops: an experimental poetry workshop and a portfolio workshop/review.

Sunday, April 16, 2017

To play with space (after Perec)

Every day I tweet a performance score inspired by Geores Perec's book Species of Spaces: https://twitter.com/royvoragen. For a PDF of the performance scores see here (the PDF will be regularly updated).

Imaging the urban nature by Zen Teh

Imaging the urban nature
Zen Teh

In collaboration with The ARISAN Project, PLATFORM3 presents a talk by Singapore-based artist Zen Teh (zenteh.com; @zen.teh). Zen Teh is an environmental artist who is interested in our relationship with nature. Zen Teh’s art practice is shaped by her proficiency in photography and painting, alongside her continual investigation into interdisciplinary studies on nature and human behavior. The work of Zen Teh comments, through observation, upon the state of nature and our relationship with it, including our representations of nature. Zen Teh aims to raise social awareness of the environment we live in. As an artist, situations where man and nature collide are highlighted. Each work presents a circumstance for the joint reaction of man and the environment. This circumstance is site-specific and individuated, respectful of the subtly varied realities between one person and another.

4 pm, Sunday 30 April 2017

open for public

PLATFORM3
Jalan Cigadung Raya Tengah 40, Bandung
platform3bdg.org
@platform3_bdg

The ARISAN Project
facebook.com/thearisanproject
@thearisanproject2017

Thursday, April 13, 2017

INDONESIAraya


I've collected Dutch-sounding/looking words from the Indonesian dictionary (Kamus Besar Bahasa Indonesia, ed.4). This collection of Dutch-sounding/looking words will be turned into an exophonic poem, which will be published by PLATFORM3 in August. In the meantime, feel free to hack this collection of Indonesian words: http://bit.ly/2nGDl0v

Friday, April 7, 2017

K.: DOWN DOWN DOWN the rabbit hole


To accompany Cinanti Astria Johansjah’s solo show DOWN DOWN DOWN the rabbit hole at ROH Projects (4 April – 2 May 2017), I wrote an experimental text. The first five out of six texts are lipograms: each omits a vowel, respectively a, e, i, o, and u.

Download the booklet here.

DOWN DOWN DOWN the rabbit hole

 
DOWN DOWN DOWN the rabbit hole at ROH Projects is the fourth solo exhibition by Bandung-based artist Cinanti Astria Johansjah (who is better-known as Keni; Balikpapan, 1985; cinantiastria.com). And for this exhibition Keni decided to deal with a solemn theme: grief.

In psychology, grieving is described as a five-stage process: denial, anger, bargaining, depression and, finally, acceptance – the so-called Kübler-Ross model. Keni’s work in this exhibition is situated in between the two stages of bargaining and early depression. And the stage of bargaining is considered to be a bargaining with one self, and one’s anger issues, and one’s surrounding. And in the early stage of depression there is still hope that the depression doesn’t run too deep and too long, and thus there is still hope that one could get out of the black void any time soon.

In-betweenness is a significant motif throughout Keni’s oeuvre. She considers the in-betweenness as an essential ‘adempauze’. ‘Adempauze’ is a Dutch-Indonesian word signifying an ephemeral respite, eerily frozen in time for a brief moment. In the context of this show, ‘adempauze’ also refers to the in-between lulls of grief coming and going in overwhelming waves (thus complicating the linearity of the psychological model).

Download the e-catalog here.
4 April – 2 May 2017

Artist talk: 18 April at 6pm

– Roy Voragen, curator


Tuesday, January 24, 2017

The ARISAN Project

For the purpose of this long-durational project, we define ARISAN as a cluster of activities intersecting and interacting with space and people in Taman Sari Valley, Bandung, Indonesia. The interactions and collaborations between artists, anthropologists and locals result in several episodes showing critical engagement with different issues relevant to the geography Jalan Taman Sari - Jalan Wastu Kencana - Jalan Cihampelas - Jalan Siliwangi.

Curated by Roy Voragen

Artists/Episodes:
Vincent Rumahloine
Syaiful Garibaldi (aka Tepu)
Eko Bambang Wisnu
Fajar Abadi
Endira F.J. (in collaboration with Ila)
ArumTresnaningtyas Dayuputri
AliansyahCaniago (aka Alin)
Maradita Sutantio
MuhammadZico Albaiquni    
and Henryette Louise
When all episodes are conducted, a group exhibition will be organized.

Anthropologists:
Gian Ergiansyah (aka Gabril)
M. Ekazaki Kurnia
and An Nisaa Yovani (aka Yona)
Anthropology assistants:
Rainaldi Trisnawiguna
Nadya Hari Putri
Susi Khusnul H
Ayudhia Dianggi Salsabilla
And these three will each head a group of anthropologists to collaborate with artists and/or to conduct independent research. When all episodes are conducted, a publication of writings will be prepared.

Documentation team:
Gilang Mustofa (photography)
Saiful Imam (video)

Instagram: https://www.instagram.com/thearisanproject2017/ 
Facebook: https://www.facebook.com/thearisanproject/

Sunday, January 22, 2017

3-in-1 by Wiyoga Muhardanto




3-in-1
solo exhibition by Wiyoga Muhardanto
at ROH Projects
curated by Roy Voragen
January 19 - February 9, 2017
artist talk on Thursday 2 February at 6 pm

Download the exhibition handout here.
Download the exhibition catalog here.